Tags
2018, cinemalaya, filipino movie, film review, Glenn Barit, independent film, Movie review, short film
By: Heinrich Domingo
In his second year in Cinemalaya shorts, Glenn Barit creates another film that calls more attention to its form than its content. In Nangungupahan, Glenn translates into cinema the ability of a space (such as an apartment room) to transcend time. In his depiction, Glenn captures on screen the abstract notions of nostalgia, permanence and transition, and the cause-and-effect nature of time and space.
Cinetactic 