By Heinrich Domingo

A great movie production does not always entail an over-the-top production design (Guillermo del Toro style) or unnecessarily overdone cinematography (Michael Bay’s insignia). In the case of Ex Machina, a great movie production can happen in a confined house with three main characters and a brilliant screenplay.  It is a kind of film best appreciated by moviegoers who like to be baffled with both visual effects and philosophical questions.

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