by Lei Landicho

Much has been said about Filipino independent films being mirrors of reality; being bastions of hope for what’s left of Pinoy creativity. In this age when indie films are placed on a pedestal, one film boldly exposes every nook and cranny of unapologetic, budget-bound, and “honest” filmmaking. Ang Babae sa Septic Tank relishes and abhors itself at the same time for bearing the tag of an “Indie.” Continue reading →