The majority of the time and effort dedicated to Philippine cinema is directed towards understanding and appreciating Manila films. The golden age of Philippine cinema is synonymous with the peak of Metro Manila films. And to the eyes of the intellectual and popular Filipino film crowd, national cinema means films that depict the lives of those in the nation-center. The term national cinema is supposed to refer to films that represent the national identity. These films should have to embody the essence of being a Filipino. But oftentimes, only films that depict the Imperial Manila get to be considered as worthy of the title “national films.”
In this video essay, we examine the 2016 film Patay na si Hesus directed by Victor Villanueva. We focus primarily on how the film underlines issues and discussions on regional cinema. We use the film in explaining a film concept that may have been present from the beginning, but remains seldom discussed.
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