Will the Real Igorots Please Stand Up!

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The Filipino media’s relationship with the colonials is best understood through a closer look at the Igorot media. In this video essay, we look at media texts for and by the Igorots to understand concepts of resistance, post-colonialism, and media representation. Also, we touch on the subject of Philippine cinema history as we look at how the birth and development of cine in the country tie with the issues of representation faced by the Igorots.

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Jowable and the Nature of Feature-Length Films

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Jowable, like much of the films of Darryl Yap and the Vincentiments team, is undeniably problematic. It needs a closer look and examination in order to understand why it remains popular with their audience. Aside from issues of political correctness and awkward visual story-telling, Yap’s films have supported questionable politicians and ideologies. In this video essay, we identify how watching the full-length film adaptation of the short film Jowable has become more unbearable to watch. In this discussion, we touch on the nature of feature-length movies and how they may be different from online short films. You may find this discussion relevant to the current debate on the definition of cinema.

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Hello, Love, Goodbye and the Philippine Popular Cinema

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As Hello, Love, Goodbye becomes the highest-grossing Filipino film of all time, it is essential to examine the elements of its success. In so doing, we have to look at the trends in the popular cinema in the Philippines. In this video essay, we argue that #HelloLoveGoodbye is a pastiche – an imitation of various film styles, techniques, and narratives which worked in the past.

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