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Continue reading →: I Love You. Thank You: A fall flat on the faceby Heinrich Domingo Like Paul’s love (played by Joross Gamboa), I Love You. Thank You was unpredictable, restless, and doubtful. Viewers love romance. Happy endings are a movie production’s secret weapon in winning over large crowd. To balance things out, I Love You. Thank You was made to introduce the unique beauty…
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Continue reading →: The Breakup Playlist: Rocking the Mainstream World with Heart on its Sleeve
by Heinrich Domingo The Breakup Playlist exhibits the journey of Philippine Cinema – struggling between looking for what is financially stable and striving for an outstanding content. We wish to spare you from the discussion of film criticism or lectures of the history of Philippine cinema, yet, we cannot help…
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Continue reading →: Jurassic World: A Tragic Comebackby Heinrich Domingo When an idea sells, use it, market it, make profit from it until it withers, until it dies, and until people forget why it even sells in the first place.
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Continue reading →: Mad Max Fury Road: A Good Kind of Madness
By Heinrich Domingo Mad Max veers away from the mediocre offering of films these days. It serves as a reminder that movies are to be made with utmost artistry, that viewers demand the best, and that beyond seamless cinematography is the importance of story-line.
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Continue reading →: Tomorrowland: Tomorrow isn’t bright
by Heinrich Domingo Tomorrowland was supposed to be a promise of delivering the audience back to the good ‘ol days. It was meant to bring us to the world that Walt Disney created. Or so we thought.
Hello,
I’m Heinrich
Welcome to Cinetactic – a site where we write about films and cinema.
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